Uhm... (cough, shuffle, gaze at floor)

We humans sometimes can't look other people in the eye without words to push out our mouths at the same time. We like to have things to do.

(I recommend turning the sound off for this one)

Another kind of bike, another kind of rider

I want to link to this because it's so lovely. Also because when I was in Barcelona last week, I was sharing a flat with a motorcycle designer, who I'm sure would love to see this.

I think three and a half years in Denmark changed my relationship to design, by osmosis. Not in terms of a particular aesthetic, but to make me find something like this interesting at all.

This is a gorgeous photographic archive of a moment in time in the seventies in sarf London, and of course even the taking of such an archive would probably be subject to far higher scrutiny these days. This picture, for instance. Its pure brute beauty of a teenage black boy being photographed by a teacher would surely cause suspicion in the boy, his parents, the school governors, and anyone else who heard about a teacher taking pictures of his charges today?

I still feel that this kind of thing can get done, this guy was obviously very visible in the community as a photograph taker. The shift is obvious: now everyone has become 'the photograph taker' and yet somehow the kind of engagement and frank boldness implicit in the job of taking these particular pictures is still rare to meet. There's a lot more to taking this kind of photograph than getting the light and composition right, and even the gift of seeing the moment you're in. There's the business of being accepted as the photograph taker of intimate moments, by the subjects of the picture. THAT is a rare gift.

So we began the day with nature sex, we end it with nature war

Here's a highly improbably story of a plucky little baby buffalo having the worst day of his life, who, if he was human, would be turned into some kind of Che Guevara figure. Anyway, despite the fact that lions have to eat, and the fact that there's a kind of realness and honesty in the taking and eating of meat in the wild that you don't quite get in Fairway or Tesco or Netto, well just feel your heart surge in the last couple of minutes of this movie anyway. And for what it's worth, my money on the real nature documentary is (where it usually is) on the human narrative behind the camera ("you can probably sell this video for lots of money!" say the humans in the wild, witnessing a raw display of animal instinct).

Green porn(o)

This is the kind of porno we like around here, though this is pretty softcore compared to the real thing (though the real thing is slower, and without the affecting narrative). The good news is that actual insects have no inhibitions about being watched up close. Find some dirt! (You could also begin here)

Ba boom

Nice.

When Obama Wins (when the wicked witch melts...)

America on the internet is having a cultural beach boys moment... ie. nostalgia for the future, stretching the moment they're in out into an elongated Christmas eve. Cinderella is on the cusp of the neverending kiss, but he won't reach his goal until the wicked witch concedes defeat..

America's reinvented fairy tale: We could be married, and then we'd be happy... You know it seems the more we talk about it, it only makes it worse to live without it...

Right now, everyone's excited. But will the mirror start telling it like it is, once the pretty princess is looking into it? Or will it keep on lyin'?

Good night baby, sleep tight, baby...

Air punching dreams, or, I Love You Ireland

That Hillary Clinton's got balls, I'll give her that much. You've got to say something for a woman who can appear to spontaneously rock a line like "I'm with Harry Truman on this: if you can't stand the heat, get out of the kitchen. Just speaking for myself, I'm comfortable in the kitchen."

She is just so disliked, though. Just about anything you'll ever read about her anywhere is grudging, written through gritted typing fingers. I think this democrat race is all about good cop/bad cop. Obama is the black, sticky out eared, earnest naive. Hillary's the hard-bitten, ballsy professionally political one who could have him in a fist fight, no problem.

It's the classic bitchfight between the sweet young thing and the pro, the virgin and the whore. So everyone's getting their end away with the whore, but they're really rooting for the virgin for the four year long haul. Hillary's such an inveterate politician, it's hard to even look at her sometimes. The whole Obama showboat could easily go tits-up but you know, that version would probably be more interesting in the big picture of American evolution.

Sometimes metaphors run into each other like they're long lost lovers meeting unexpectedly in different cars at the bumpers. Let's move swiftly along.

Isn't it amazing when people of advanced age manage to carry around grudges, bitternesses and score settling? Takes a lot of very tight clutching to keep that dynamic going for so long. Anyway, here's a man who has sold a lot of records, made a lot of money, played a lot of tennis, and he's demanding trophies from the eurofuckingvision song contest 40 years ago.

This article reminded me of a Cliff Richard impersonator who approached me when I was singing and playing in the street in Copenhagen. I think he was trying to be some kind of impressario. He must have been in his mid fifties, but clearly Cliff, and reflected Cliff glory, were the dominating forces in his life. Beware of what you opportune for.

I'm always amazed by what people are willing to do to win the eurovision. Brian Kennedy, for instance (I can't even link to it, it's so terrible. 2006, it was). Somebody recently pointed out to me that it's all about money and exposure, naturally enough.

But not in some cases, clearly. Sometimes it's just about air punching in a white suit. Our Rocky Balboa. It's nine minutes, but worth it for the detail and the textures and the old style eurovision scoring board with less than 20 countries on it. Song starts 7 minutes in. It was 1980, right in the middle of a decades long recession in Ireland. This was glamour. Had U2 hit yet? This was perhaps our first taste of national fame and sexiness... Say what you want about the kitch and the glory, but the two Shay Healy/Johnny Logans were good quality eurovision songs, at a time in the life of Ireland when the Eurovision meant something more than turkeys and american idol-style competitions. It was the time of fizzle sticks and flogs and a 51% tax rate. Ah.

Ultimately, of course it turned into this. People have to earn a living, it's true, but it hurts to link to this. I add this link, purely in the interests of balance.

So now this brings me to the subject of the First Inaugural Competition Olympics 2008 (check out the label Competition Olympics to familiarise yourself with Olympian history). Beijing is a little controversial at the moment, but you know you can get your air punching kicks right here on Lucy Takes Off, and Be a Winner, have a garland put around your head by a smiling girl in a bikini, stand on a plinth marked 1, a little higher than the plinths marked 2 and 3 (though glory is also assured for first and second runners up also), and have your national anthem blasted from a ghetto blaster (on tape if you so choose) and your gold medal/cup presented to you by a minor Irish Rockstar of my choosing... This is the prize on offer in the Competition Olympics, my friends. So far there have been three legs of the competition, with three entrants in total. What we need here is exposure.

Maybe I need to take the Competition Olympics to the Eurovision. Where is it this year, anyway?

The sun and the mirror ball

It's a sunny day on the av Republica Argentina in Barcelona. The sun is shining in the window on the mirror ball, scattering disco glitters across the crazy floor tiles. Listening to The Atomic Grind show's Park Slope Mamma.. they know how to rock a line like

I'm gonna buy you a spirulina bagel

Yes they do.

I have not yet left the house and it is 8 minutes to four and sunny sunny warm outside, and in the sun room with the glitter ball in it. A number of possible explanations glide by my pretty vacant mind like passing pigeons dropping liquid poo on the washing line outside the window, then passing on. I need no explanations for sitting around, listening to

You're from New York city I'm from Rotherham

I used to listen to that first Arctic Monkeys record at high volume last autumn, walking through Park Slope, kicking the leaves, turning the Arctics off just as I reached the door of a couple of cats on 2nd street, who lounged around a heated-just-for-them heavily carpeted sedate, comfortable and dark apartment, fed and watered them, petted them as they went thunk and hit the deck, cleaned their litter, read another couple of pages of the Edward Gorey book I was falling in love with a little bit more every time I went there.

B is for Basil assaulted by bears.
B es por Basil atacado por osos.

I have a friend in New York who says the best way to learn a new language is in bed. She learned Pharsee and Hungarian that way. I learned Danish a little that way, but honestly, mostly hard fought in random conversations where the ball bearings were pulling the conversation always back into English, until I found the perfect forum for speaking only Danish, with 80 and 90 year olds who hardly, if ever, left their apartments in Nørrebro, many of whom were considered to be demented, but sometimes had plenty to say, that is, those ones who weren't just sitting cross legged in their smoke-oranged armchairs, holding themselves in ever tighter when I came in to clean, to make them lunch, to give them that afternoon's pill dosage, to say hello. Those ones were being kept alive, reluctantly hunched on the edge of life, smoking it away.

Then there were ones like Violet, a sprightly 96 year old who could not see very well and whose Danish was so playful and sophisticated I could hardly understand her, but she always seemed like the sort who was about to give you a wedgy at any moment, loved to chat, very cheery kind of woman. I helped her to bathe once. I always loved that. It was such a lovely, intimate thing to do, something that always made them feel good, and you know, it was also just very pragmatic. There was never any embarrassment with the Danes about being naked and 90 in front of a total stranger. I loved that about those people.

As I google randomly, everything I get is coming through google Spain. I've moved from the Beatles White album to Abbey Road to Beck Mutations to (now) Joni Mitchell Court and Spark. I deal in dreamers and telephone screamers...

F is for Fanny sucked dry by a leech.
F es por Fanny succionado hasta secarse por una sanguijuela.

Somehow the Spanish doesn't sound as rhythmical.

A pretty girl in your bathroom, checking out her sex appeal...

I feel like going outside. I have had two cafe con leches and the day is good and slinky.

It's four in the morning the end of December
I'm writing you now just to see if you're better
New York is cold but I like where I'm living
There's music on Clinton street all through the evening

I have a friend from Raheny on the north side of Dublin, who I met in my very first week of college when I was 17 and he was a very old 19, and who seems to be the subject of two epic songs in my life... The last time I saw Richard, from Blue, and Famous Blue Raincoat. I can't put my finger on why, mentions of deserts and dive bars and New York and peculiar triangles cloudily alluded to...

Apparently there was an overdose by the Tompkins Square dog run, with a very dark, disturbing, sunny photograph by Bob Arihood, who has been taking photographs of life in the east village for 25 years or more now.

So, if you would like to brush up on your gothic spanish, perhaps you might want to check out this lovely little thing...

Meanwhile, I'm off to follow the Barcelona labyrinth of dreams...

Rockin' whippetude

You know, I 've just discovered what gives fizzy sweets (like fizzy kola lollies, fizzy kola bottles, sherbet dib dab) that kind of fabulous suck-your-face-off quality. Bicarbonate of soda. That's it! Easily purchased in any local shop. Must go and experiment shortly.

Meanwhile, I suck (fizzy kola lollies) and work on a whippet movie. Yes, folks. Whippet Love: The Movie is due for release summer '08!

Meanwhile, here's a small puppy moment for those of you who enjoy such things... and below it is a pic the small puppy took of me. I believe it's his first. I might sell it to one of those people who collects elephant art.

Sudden singing

I'm sitting in a bar in the University of Limerick, and some people have just showed up and started to sing (check out the mini-movie I've just made, scroll to the bottom).

It's kind of great, just wandering around all these buildings of activity, you never know what you might run into. They started to build a marquee in the front square a few days ago, a big production involving cement blocks, prefabricated sturdy walls and very carefully laid carpet (I watched him unroll it very carefully, today). Nobody seems to know what it's about. I've overheard conversations that go a bit like this:
"I wonder what it's for?"
"Probably some ball or something."
They peer in the window.
"It looks nice."
"Yeah."

I've wondered the same thing. My first guess was some kind of graduation ceremony, but they've probably got somewhere fancier for that. So it's a mystery. And we walk closer together now, as we navigate the small path around the large white marquee of mystery.

I haven't been to the Olympic-sized pool yet. Not since my first time there, about 2 years ago, when I wore goggles and got a fright when I actually looked through them. 50 metres can look more intimidating than the ocean, to me. But I love saunas, and steam baths, ever since I fell in love with the Scandinavian model of hot and cold, in Denmark. Of course it's the Finns that invented the sauna (cool fact: there are three million humans in Finland, and one and a half million saunas.. everyone's got a sauna in their house/flat/dorm). But there are some old institutions in Denmark, some old art deco places that I loved deeply, profoundly, as often as I could. The Badanstalt (a gender separated old bath house from the turn of the 19th century, featuring a gorgeous large old wooden sauna in three tiers, and a mint green tiled changing area, with little curtained cubicles, and shredded wood slivers to exfoliate, and always a thermos of tea for whoever is hanging out naked in the lounging area, all for 25 kroner, or a little over 3 euros) was my version of a local pub. People smoke very heavily still, in Denmark, and pubs are very smokey, so I didn't spend much time in bars while I lived there. But I did spend lots of time in the Badanstalt.

The Badanstalt reaches back into the time when private houses and flats (mostly flats in Copenhagen, industrial living goes back a long way there) didn't have any private bathrooms. A block of housing units inhabited by several hundred people might have had a couple of jacks round the back, in an outhouse (an enticing prospect, in the Danish winter) much as things were in many western european countries, except for the fact that as recently as the seventies, these outhouse toilets still existed. I have been in flats there that had a toilet, but no bath or shower. And Danish showers are of course, uber functional anyway, the shower is commonly taken on the bathroom floor itself, which is tiled, and excess water wiped away. New York city bathrooms, even with their expert compression, could learn something from the amazingly minuscule yet innately beautiful, Danish bathrooms.

So what did people do to bathe? Well, they went to their local badanstalt, where they bathed communally, men with men, women with women. Children probably went with women, but I would imagine small boys sneaking upstairs to the men's section at the earliest opportunity, only to be trying to sneak down to the women's just a few years later... oh the fickleness of the human organism. There was a badanstalt in each of the city's main neighbourhoods, or bydeler, as they're called over there. And people went to bathe, to use the sturdy lovely saunas, and to socialise. Well, all of Copenhagen's badanstalter are gone, except for the one on Sjællandsgade, in Nørrebro, traditionally the working class neighbourhood of Copenhagen, recently become trendified and gentrified, of course... and the badanstalt struggles to survive. Every two years or so, some government officials try to close it down. Its faithful clients battle back. I remember hearing about one such threat, there was some kind of an image that came to mind under a cold shower moment (which were always my favourite moments) to consider chaining myself to the door of the Badanstalt, naked, mud covered, Irish. Twas not to be. Not yet, anyway. But this week I have asked all the major institutions of official bureaucracy in Denmark, to recognise that I have truly and actually, left the building. Hurrah!

So yes, perhaps I'll make it to the swimming pool of scary bigness one of these days, while I'm on campus. Small sauna, mixed gender, considerably chattier, bathing suits required (it's just not the same). It had better be before monday, though. For on monday morning, I fly to Barcelona, for a week and a half.

Starved

But of course, this being Ireland, it's back to late autumn/early winter weather, this past few days. Especially at night, cycling home. Cold. Windy. But moonlight lighting the fields and narrow roads I ride through.

I've just been reading this article. Clearly a complex man. Endearing, also. It must be strange if you're sensitive, being a popstar from a very early age. You know, the beard would have been enough. He could just have gone off on his alien hunt and kept his little obsession private. But instead, he was compelled to call Jon Ronson and make a documentary out of it. Well...

Check out the ingredients in these recipes, folks (or folk, as it may turn out today). This is having a profound effect on me today, as I sit in the Hilton lobby, munching on Brazil nut special toffee...

The first day of summer

so this is what i did today
walked a lot, in the countryside
saved a bumble bee from a compromising and potentially tragic situation for which he was grateful
rubbed a horse's nose
exchanged eye contact with some white cows
saw a ladybird, realised it was summer, said hurrah!, then saw another ladybird
waded in a river with some small waterfalls and cold water and felt good
rubbed my feet on grass and felt good
took most of my clothes off on the walk through the countryside, it was so warm
got ideas for movie projects
had some good coffee, could have drunk coffee through the day just because it tasted so good
had no dinner
hungry now
got out of the way of a very brazen robin redbreast who you really wouldn't have wanted to mess with
went for another walk down by the river into the sunset
Here's a pic of my evening stroll...

The dog that ate my dinner

I went to get some dinner, in the student bar of this university that I'm spending my days hanging out in, lately, working on these projects I'm really excited about, these projects I'm busy breathing life into, lately.

So I'm feeling kind of antsy and I go to the student bar to get some food, and all they've got left is this stuff called "chicken goujons" and you know, these badly processed chip things, and I turn from the counter and realise that there are about six hundred eighteen year olds in flouncy dresses and suits, and the chip lady tells me that it's some kind of first year ball. There's nowhere for me to sit and eat my chicken goujons, so I go outside to the outdoor courtyard, and the rain is pelting down on the roof above where I sit, eat, and watch the parade of loud satin and umbrellas, running for cover and madly text messaging.

That's when the pooch shows up. The one pictured. He just showed up, quietly sat at my table, sat and looked at me. His eyes watery, sad looking, old, he looked dirty, neglected, not malnourished. Matter of fact begging. No bullshit about it. No tricks, no fancy stuff, no cuteness, no smooth moves. So I gave him some of my chips, the crispy ones, the ones I don't like. He ate them. I gave him more. I took pictures of the girls in their vehement coloured satin, some with quite elaborately positioned cleavage, some in frou frou meringue style, all with spindly heeled sandals and their toes squidging around in the rain, as they ran across the courtyard, through the downpour.

Later I got to thinking about the Trinity Ball, the satin-fest of my own extreme youth. I never wore satin: went only, I think, to two of them, though it could have been more, and I certainly have many vivid memories from them. To the first one I wore very short scarlet velvet, bought a ticket off someone on the day, having resisted the whole affair for a full year before that. And the second one I worked at, as hospitality chica. That night was notable for being offered a line of cocaine for the first time (aw..) and some London rapper tried to bribe my t-shirt from me (for the t-shirt's sake, I think, not the be-bra'd female underneath it). The Buzzcocks played that year, some reunion gig, I don't know if any of us youngsters really knew who they were. They seemed to have fun, though, and trashed the sound system, middle aged rebels that they were.

Back in the Stables courtyard, the pooch kept looking at me. He wasn't aggressive, but it was intense. I gave him more chips, then some chicken, then decided to buy him some kind of food in the shop. So off I went, and found a can of sardines, and got looked at sadly by the boy behind the counter with the large auburn eyes, and went out again in the rain, looking for sad pooch amongst the legs of the suited boys and the satinned girls, but sad pooch had disappeared. I felt wretched.

Reminded me of a horribly mangey, very sick and suspicious, terrified and starving dog I met in New Orleans one hot august evening. I followed him into some midtown ghettoes trying to give him some can of dog food I had bought in a petrol station. He didn't want it, kept running from me, suspicious of what I was up to. Followed him all the way to Basin street, or Perdido, some street once full of hookers, now famous from a song that came from that seething time in the life of that city. He fucked off, finally, after giving chase to me in a small park, and I walked back through those ghettoes, with street dudes sleeping on benches, and tears pouring down my face, all the way to the St. Charles streetcar, feeling a place in my heart that was sucking from the inside.

Sometimes your help is not wanted and that is hard.

A boy tried to say something witty and friendly to me last night. I responded with ueber-caginess. He apologised for freaking me out. I responded with polite ueber-caginess. Oh I prefer when life is not so serious.

These tiny stories are important. Important to tell, sometimes. I don't know why.

Lucy at Mamuska

It was the night of Mamuska on friday. Lucy made a performance, with performed poetic narrative, photographs and Ross' music. It is as truly a work in progress as that term has ever meant, but it was hugely hugely fun, and spirited, and people seemed to dig it. Got no pictures to show for it, for my laptop was employed the whole night in work and communication, but a lovely man called Conor took photographs, and we have made recordings, which I expect will show up some time very soon on my main website (which, lord knows, could do with a bit of updating... for it is spring!)

Mamuska's such a great platform. Daghdha's venue is fantastic: large but not cold, dense, full of potential, the venue equivalent of the sprung floor that supports it. And that goes for the spirit of the people who support it too, by being there, by staying there for the full evening, and the spirit of the performers, the contributers, who reveal their half-made work for to see what lies further inside it, and they can sometimes be rewarded with an inspiration of life, of breath, of ideas, and the energy of the return.

Mark Carberry made a pretty gorgeous little boxer/prom queen dance vignette, there were lots of dance experiments and celebrations, a piece for live and recorded harp, and some moving movement movies..

Fab fab fab and inspired, and inspired, and inspired...

Thick skinned beauty

So the topic of this post is the delicate rendering of this nuanced, sensitive portrait. I wonder if he was trained to do that? Even if he was though, I think it's the humans that come over like the ridiculous creatures we can be sometimes, with our cheap clapping and our tiny insights into the possibilities of internal life in another living being. I bet he's thinking, yeah, but just you wait until I write a novel about how I feel about The Way Life Is for we who are not human, living in a human dominated world.

Elephants are intelligent, feeling creatures, as far as I can tell. I saw a documentary a couple of years ago, some Richard Attenborough thing I think, and the film makers had made fake elephant dung shapes with cameras hidden inside them, and scattered the cameras all along a major African elephant trail. Of course the elephants got hip to the fake dung aspect pretty sharpish, and took to playing football with them.. but enough cameras remained to document their response upon finding a small elephant graveyard along their walk (some might call it a pilgrimage, much in the same way that you could call the salmon's journey to the source of its birth, in order to spawn, and die, also a pilgrimage). When they came upon the elephant bones, they stopped, and smelled and paid attention, and lingered, and gathered, and were quiet and paid attention to the bones for a while, much as we humans behave at graveyards (though of course we usually tidy up our dead, with lawned graves and headstones and flowers and candles. Of course, the presence of actual dead human bones found along the morning jog to the bakery would most likely not produce quite such a measured response in the normal human being...)

I have only met one elephant in the flesh, so to speak. This impromptu meeting happened outside a nightclub on a freezing cold Danish night at one in the morning a couple of years ago. I was cycling back to Island's Brygge in Copenhagen after a late night at the shop where I sold my vintage clothes, and I glanced across the bridge to my left. An elephant was standing outside a really tacky nightclub, posing for mobile phone camera portraits with danish hiphop wannabees in the street.. I stared, then cycled past, through two sets of traffic lights, hungry and tired, but I realised with a sober heart that I was going to have to turn around and go back, and meet the elephant, stand there like all the gals and guys pretending to be Eminem, no better I, and touch elephant skin, look in elephant eyes, say hello, meet the circus attraction.

He was in it for the bananas, clearly. He was docile, stood there, knew not to stamp all over these clueless humans, knew what his job was, but wanted payback. People came with fruit. That fruit disappeared fast. You should have seen that trunk WORK. There was a ruthless look in his eye. The same look I've seen in the eyes of hookers in the Oak Bar of the Plaza Hotel. They ain't Eloise, sugar. I did take photographs, balancing my camera on the unexpectedly steady biceps of the ex-Levi's model cowboy who brought me there, until I was ordered to stop (by the bartender, not the cowboy).

I'm reading a novel by JM Coetzee right now, called Elizabeth Costello. It's quite a gorgeous novel, actually, his writing has a kind of low level blowtorch effect, I find. It's very gently warming until suddenly you're just scorched, eviscerated. The interesting thing about his work, for me, is that there's so much space in it, space of a kind that is rare in writing. The first Coetzee novel I read was Disgrace, a couple of months ago. It was an invitation into a mind, a quiet invitation to listen really really closely, but not dictating what you needed to listen out for.

It's my birthday today. It's my birthday today. It's my birthday today.

Beautiful rusted metal coils on grass

Somebody tried to burn them, they tried to burn metal, and they seem to have had some success. Peculiar thing, but very beautiful. I thought of Rapunzel, and this kind of thing. That's a bit of my own hair, blowing in the wind, on the right.

Daisies by the side of the road on the Clonlara bridge

The long distance blues

I've got the long distance blues
the iChat blues
the video skype blues
the gmail chat blues
the email blues
the snail mail blues
the mobile phone texting blues
the occasional phone conversation blues
the writing my next email to him in a text document because the house I'm living in doesn't have broadband yet blues
the seeing some small cows on the side of the road and stopping to take pictures so he can see what I see blues
the having profound feelings about what may and may not be possible and no good way to express these feelings blues
I've got the blues
I've got the long distance blues.
I've got the distance between county Clare and Brooklyn blues.
Here's a picture of those cows.

Some images of Ireland from this past week

I know of some Irish painters who have devoted most of their productive lives to painting Irish cloud formations. I don't expect you can see why, by this primitive photograph, but I've always found clouds in Ireland to exert tremendous influence on the mood of the people. I've heard my dad describe a sombre mood a number of times, by saying, the clouds are low in the sky today. It's something you'll recognise, if you live here, and are sensitive to these things.

A detail from the entry port of Glenstal Abbey, in county Limerick, where I went to witness the sung passion play the monks perform there every good friday. This is the first year for a while that I went there, with Dad, and probably the first time I've really paid attention to the text. The Abbey is a beautiful place, on many acres of lush, rich land, and as a child, I used to love the solitude and the freedom of running about and playing in the grounds, while all the adults were locked in the chapel, being very serious. This time I was one of the adults. The Jesus story at this easter week stage of the telling, is a devastating one. It's a terrible story, really, of injustice and fear and constricted hearts and treachery. The monks sing it so tenderly, in madrigals, with latin hymns sung at the end. The crescendo of the event itself happens after the story is sung, and left hanging, at the point where the man's body is taken down from the cross, and wrapped carefully in delicately scented cloths, and laid to rest in an unused tomb. The congregation files up to the simple wooden hand made cross that the monks have made, and wait in line, kissing the cross, each in turn, some symbolic gesture that struck me as deeply human, deeply animal. Profoundly moving.

A very modern bridge, in the University of Limerick campus. This is a somewhat winding, curved, foot and cycle bridge, with seated areas built into it, which I have seen used by students every time I've cycled over it. Under the bridge is a beautiful river, with trees growing in it, and small waterfalls, it's quite a gorgeous contrast, especially at night. Beyond the bridge on one side is one of the most dynamic, largely technological, campuses in Ireland, and on the other, tiny little country lanes with a pub nearby that has on most days got a big fire blazing in the hearth, and little formica tables and chairs, and you can get a large pot of tea there for two euro (about ten thousand dollars, granted) which will yield at least four and a dribble cups of decent and strongly brewed tea, and they'll put a fox's creme biscuit bar on the side of your cup too.

Head of a small cat in a garden where I once lived