Ok, well if you're looking for some way beneath the MJ myth, you might want to start with this. Oh, love of Lisa Simpson has revealed some of the finest humanity in many human hearts, and this is very sweet indeed.
MJ wrote "Do the Bartman"! because he loved Bart Simpson so much. Well I feel Michael Jackson's heart here. This is lovely.
A journalist who knew MJ personally for years, talks.
Lisa Marie Presley is having a unique experience of MJ's death. (via LA Times)
This is pretty mesmerising. I wondered on facebook how MJ might have looked if he hadn't been interfered with, and Tabitha came up with this and this. Wow. How open and plain human those possible versions of himself look. The Mail version looks the most plausible to me. That kind of fame does not lead a person to looking like a binman. It has its own sheen, its own patina.
It all went arseways after Thriller. A generally good wnyc Soundcheck show, looking at Thriller, and the impact it had on MJ's career. Specifically, the crippling effects of success. He never made another great album again. It's such a pity. He clearly had it in him, still. The man was a phenomenon.
An article about the album he had (partly?) recorded when he died.
Man, his affairs are so messy. So much debt, and motherless children. There is some talk that Debbie Rowe will probably reclaim the two children of hers, and she is likely to get custody, being their natural mother. So what of the third child? Is the family to be split up? Isn't the whole situation bad enough? It's a mess.
So. He sold over 800 million records in his lifetime. His appeal spans generations of childhoods. Off the Wall and Thriller are such profoundly groovy records. I mean, they just groove.
But I don't know what he was trying to pull off with the London gigs. I think his whole relationship with fame was so deeply enmeshed with his own sense of self worth and existence, that it was just folly all the way down. How can a man of 50 try to recreate the kind of spectacle that he was famed for 25 years previously? It is a pity he could not just start with what he actually was, rather than endlessly clawing for the next thing that could kick his fame into what it had been. That time is gone, probably forever, for everybody.
Because deep inside all that crazyshit that Michael Jackson had become, there was this:
Saturday 27 June 2009
A few interesting Michael Jackson links
Thursday 2 April 2009
My Birthday Mouse
Small Deadmouse, and Missus from Lucy Foley on Vimeo.
This is what I got.
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Sunday 4 January 2009
My Macbook lying in state
The fox is one of those paid mourners. I'm not sure his heart is in it.
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Tuesday 1 April 2008
Thick skinned beauty
So the topic of this post is the delicate rendering of this nuanced, sensitive portrait. I wonder if he was trained to do that? Even if he was though, I think it's the humans that come over like the ridiculous creatures we can be sometimes, with our cheap clapping and our tiny insights into the possibilities of internal life in another living being. I bet he's thinking, yeah, but just you wait until I write a novel about how I feel about The Way Life Is for we who are not human, living in a human dominated world.
Elephants are intelligent, feeling creatures, as far as I can tell. I saw a documentary a couple of years ago, some Richard Attenborough thing I think, and the film makers had made fake elephant dung shapes with cameras hidden inside them, and scattered the cameras all along a major African elephant trail. Of course the elephants got hip to the fake dung aspect pretty sharpish, and took to playing football with them.. but enough cameras remained to document their response upon finding a small elephant graveyard along their walk (some might call it a pilgrimage, much in the same way that you could call the salmon's journey to the source of its birth, in order to spawn, and die, also a pilgrimage). When they came upon the elephant bones, they stopped, and smelled and paid attention, and lingered, and gathered, and were quiet and paid attention to the bones for a while, much as we humans behave at graveyards (though of course we usually tidy up our dead, with lawned graves and headstones and flowers and candles. Of course, the presence of actual dead human bones found along the morning jog to the bakery would most likely not produce quite such a measured response in the normal human being...)
I have only met one elephant in the flesh, so to speak. This impromptu meeting happened outside a nightclub on a freezing cold Danish night at one in the morning a couple of years ago. I was cycling back to Island's Brygge in Copenhagen after a late night at the shop where I sold my vintage clothes, and I glanced across the bridge to my left. An elephant was standing outside a really tacky nightclub, posing for mobile phone camera portraits with danish hiphop wannabees in the street.. I stared, then cycled past, through two sets of traffic lights, hungry and tired, but I realised with a sober heart that I was going to have to turn around and go back, and meet the elephant, stand there like all the gals and guys pretending to be Eminem, no better I, and touch elephant skin, look in elephant eyes, say hello, meet the circus attraction.
He was in it for the bananas, clearly. He was docile, stood there, knew not to stamp all over these clueless humans, knew what his job was, but wanted payback. People came with fruit. That fruit disappeared fast. You should have seen that trunk WORK. There was a ruthless look in his eye. The same look I've seen in the eyes of hookers in the Oak Bar of the Plaza Hotel. They ain't Eloise, sugar. I did take photographs, balancing my camera on the unexpectedly steady biceps of the ex-Levi's model cowboy who brought me there, until I was ordered to stop (by the bartender, not the cowboy).
I'm reading a novel by JM Coetzee right now, called Elizabeth Costello. It's quite a gorgeous novel, actually, his writing has a kind of low level blowtorch effect, I find. It's very gently warming until suddenly you're just scorched, eviscerated. The interesting thing about his work, for me, is that there's so much space in it, space of a kind that is rare in writing. The first Coetzee novel I read was Disgrace, a couple of months ago. It was an invitation into a mind, a quiet invitation to listen really really closely, but not dictating what you needed to listen out for.
It's my birthday today. It's my birthday today. It's my birthday today.