Air punching dreams, or, I Love You Ireland

That Hillary Clinton's got balls, I'll give her that much. You've got to say something for a woman who can appear to spontaneously rock a line like "I'm with Harry Truman on this: if you can't stand the heat, get out of the kitchen. Just speaking for myself, I'm comfortable in the kitchen."

She is just so disliked, though. Just about anything you'll ever read about her anywhere is grudging, written through gritted typing fingers. I think this democrat race is all about good cop/bad cop. Obama is the black, sticky out eared, earnest naive. Hillary's the hard-bitten, ballsy professionally political one who could have him in a fist fight, no problem.

It's the classic bitchfight between the sweet young thing and the pro, the virgin and the whore. So everyone's getting their end away with the whore, but they're really rooting for the virgin for the four year long haul. Hillary's such an inveterate politician, it's hard to even look at her sometimes. The whole Obama showboat could easily go tits-up but you know, that version would probably be more interesting in the big picture of American evolution.

Sometimes metaphors run into each other like they're long lost lovers meeting unexpectedly in different cars at the bumpers. Let's move swiftly along.

Isn't it amazing when people of advanced age manage to carry around grudges, bitternesses and score settling? Takes a lot of very tight clutching to keep that dynamic going for so long. Anyway, here's a man who has sold a lot of records, made a lot of money, played a lot of tennis, and he's demanding trophies from the eurofuckingvision song contest 40 years ago.

This article reminded me of a Cliff Richard impersonator who approached me when I was singing and playing in the street in Copenhagen. I think he was trying to be some kind of impressario. He must have been in his mid fifties, but clearly Cliff, and reflected Cliff glory, were the dominating forces in his life. Beware of what you opportune for.

I'm always amazed by what people are willing to do to win the eurovision. Brian Kennedy, for instance (I can't even link to it, it's so terrible. 2006, it was). Somebody recently pointed out to me that it's all about money and exposure, naturally enough.

But not in some cases, clearly. Sometimes it's just about air punching in a white suit. Our Rocky Balboa. It's nine minutes, but worth it for the detail and the textures and the old style eurovision scoring board with less than 20 countries on it. Song starts 7 minutes in. It was 1980, right in the middle of a decades long recession in Ireland. This was glamour. Had U2 hit yet? This was perhaps our first taste of national fame and sexiness... Say what you want about the kitch and the glory, but the two Shay Healy/Johnny Logans were good quality eurovision songs, at a time in the life of Ireland when the Eurovision meant something more than turkeys and american idol-style competitions. It was the time of fizzle sticks and flogs and a 51% tax rate. Ah.

Ultimately, of course it turned into this. People have to earn a living, it's true, but it hurts to link to this. I add this link, purely in the interests of balance.

So now this brings me to the subject of the First Inaugural Competition Olympics 2008 (check out the label Competition Olympics to familiarise yourself with Olympian history). Beijing is a little controversial at the moment, but you know you can get your air punching kicks right here on Lucy Takes Off, and Be a Winner, have a garland put around your head by a smiling girl in a bikini, stand on a plinth marked 1, a little higher than the plinths marked 2 and 3 (though glory is also assured for first and second runners up also), and have your national anthem blasted from a ghetto blaster (on tape if you so choose) and your gold medal/cup presented to you by a minor Irish Rockstar of my choosing... This is the prize on offer in the Competition Olympics, my friends. So far there have been three legs of the competition, with three entrants in total. What we need here is exposure.

Maybe I need to take the Competition Olympics to the Eurovision. Where is it this year, anyway?

The sun and the mirror ball

It's a sunny day on the av Republica Argentina in Barcelona. The sun is shining in the window on the mirror ball, scattering disco glitters across the crazy floor tiles. Listening to The Atomic Grind show's Park Slope Mamma.. they know how to rock a line like

I'm gonna buy you a spirulina bagel

Yes they do.

I have not yet left the house and it is 8 minutes to four and sunny sunny warm outside, and in the sun room with the glitter ball in it. A number of possible explanations glide by my pretty vacant mind like passing pigeons dropping liquid poo on the washing line outside the window, then passing on. I need no explanations for sitting around, listening to

You're from New York city I'm from Rotherham

I used to listen to that first Arctic Monkeys record at high volume last autumn, walking through Park Slope, kicking the leaves, turning the Arctics off just as I reached the door of a couple of cats on 2nd street, who lounged around a heated-just-for-them heavily carpeted sedate, comfortable and dark apartment, fed and watered them, petted them as they went thunk and hit the deck, cleaned their litter, read another couple of pages of the Edward Gorey book I was falling in love with a little bit more every time I went there.

B is for Basil assaulted by bears.
B es por Basil atacado por osos.

I have a friend in New York who says the best way to learn a new language is in bed. She learned Pharsee and Hungarian that way. I learned Danish a little that way, but honestly, mostly hard fought in random conversations where the ball bearings were pulling the conversation always back into English, until I found the perfect forum for speaking only Danish, with 80 and 90 year olds who hardly, if ever, left their apartments in Nørrebro, many of whom were considered to be demented, but sometimes had plenty to say, that is, those ones who weren't just sitting cross legged in their smoke-oranged armchairs, holding themselves in ever tighter when I came in to clean, to make them lunch, to give them that afternoon's pill dosage, to say hello. Those ones were being kept alive, reluctantly hunched on the edge of life, smoking it away.

Then there were ones like Violet, a sprightly 96 year old who could not see very well and whose Danish was so playful and sophisticated I could hardly understand her, but she always seemed like the sort who was about to give you a wedgy at any moment, loved to chat, very cheery kind of woman. I helped her to bathe once. I always loved that. It was such a lovely, intimate thing to do, something that always made them feel good, and you know, it was also just very pragmatic. There was never any embarrassment with the Danes about being naked and 90 in front of a total stranger. I loved that about those people.

As I google randomly, everything I get is coming through google Spain. I've moved from the Beatles White album to Abbey Road to Beck Mutations to (now) Joni Mitchell Court and Spark. I deal in dreamers and telephone screamers...

F is for Fanny sucked dry by a leech.
F es por Fanny succionado hasta secarse por una sanguijuela.

Somehow the Spanish doesn't sound as rhythmical.

A pretty girl in your bathroom, checking out her sex appeal...

I feel like going outside. I have had two cafe con leches and the day is good and slinky.

It's four in the morning the end of December
I'm writing you now just to see if you're better
New York is cold but I like where I'm living
There's music on Clinton street all through the evening

I have a friend from Raheny on the north side of Dublin, who I met in my very first week of college when I was 17 and he was a very old 19, and who seems to be the subject of two epic songs in my life... The last time I saw Richard, from Blue, and Famous Blue Raincoat. I can't put my finger on why, mentions of deserts and dive bars and New York and peculiar triangles cloudily alluded to...

Apparently there was an overdose by the Tompkins Square dog run, with a very dark, disturbing, sunny photograph by Bob Arihood, who has been taking photographs of life in the east village for 25 years or more now.

So, if you would like to brush up on your gothic spanish, perhaps you might want to check out this lovely little thing...

Meanwhile, I'm off to follow the Barcelona labyrinth of dreams...

Rockin' whippetude

You know, I 've just discovered what gives fizzy sweets (like fizzy kola lollies, fizzy kola bottles, sherbet dib dab) that kind of fabulous suck-your-face-off quality. Bicarbonate of soda. That's it! Easily purchased in any local shop. Must go and experiment shortly.

Meanwhile, I suck (fizzy kola lollies) and work on a whippet movie. Yes, folks. Whippet Love: The Movie is due for release summer '08!

Meanwhile, here's a small puppy moment for those of you who enjoy such things... and below it is a pic the small puppy took of me. I believe it's his first. I might sell it to one of those people who collects elephant art.

Sudden singing

I'm sitting in a bar in the University of Limerick, and some people have just showed up and started to sing (check out the mini-movie I've just made, scroll to the bottom).

It's kind of great, just wandering around all these buildings of activity, you never know what you might run into. They started to build a marquee in the front square a few days ago, a big production involving cement blocks, prefabricated sturdy walls and very carefully laid carpet (I watched him unroll it very carefully, today). Nobody seems to know what it's about. I've overheard conversations that go a bit like this:
"I wonder what it's for?"
"Probably some ball or something."
They peer in the window.
"It looks nice."
"Yeah."

I've wondered the same thing. My first guess was some kind of graduation ceremony, but they've probably got somewhere fancier for that. So it's a mystery. And we walk closer together now, as we navigate the small path around the large white marquee of mystery.

I haven't been to the Olympic-sized pool yet. Not since my first time there, about 2 years ago, when I wore goggles and got a fright when I actually looked through them. 50 metres can look more intimidating than the ocean, to me. But I love saunas, and steam baths, ever since I fell in love with the Scandinavian model of hot and cold, in Denmark. Of course it's the Finns that invented the sauna (cool fact: there are three million humans in Finland, and one and a half million saunas.. everyone's got a sauna in their house/flat/dorm). But there are some old institutions in Denmark, some old art deco places that I loved deeply, profoundly, as often as I could. The Badanstalt (a gender separated old bath house from the turn of the 19th century, featuring a gorgeous large old wooden sauna in three tiers, and a mint green tiled changing area, with little curtained cubicles, and shredded wood slivers to exfoliate, and always a thermos of tea for whoever is hanging out naked in the lounging area, all for 25 kroner, or a little over 3 euros) was my version of a local pub. People smoke very heavily still, in Denmark, and pubs are very smokey, so I didn't spend much time in bars while I lived there. But I did spend lots of time in the Badanstalt.

The Badanstalt reaches back into the time when private houses and flats (mostly flats in Copenhagen, industrial living goes back a long way there) didn't have any private bathrooms. A block of housing units inhabited by several hundred people might have had a couple of jacks round the back, in an outhouse (an enticing prospect, in the Danish winter) much as things were in many western european countries, except for the fact that as recently as the seventies, these outhouse toilets still existed. I have been in flats there that had a toilet, but no bath or shower. And Danish showers are of course, uber functional anyway, the shower is commonly taken on the bathroom floor itself, which is tiled, and excess water wiped away. New York city bathrooms, even with their expert compression, could learn something from the amazingly minuscule yet innately beautiful, Danish bathrooms.

So what did people do to bathe? Well, they went to their local badanstalt, where they bathed communally, men with men, women with women. Children probably went with women, but I would imagine small boys sneaking upstairs to the men's section at the earliest opportunity, only to be trying to sneak down to the women's just a few years later... oh the fickleness of the human organism. There was a badanstalt in each of the city's main neighbourhoods, or bydeler, as they're called over there. And people went to bathe, to use the sturdy lovely saunas, and to socialise. Well, all of Copenhagen's badanstalter are gone, except for the one on Sjællandsgade, in Nørrebro, traditionally the working class neighbourhood of Copenhagen, recently become trendified and gentrified, of course... and the badanstalt struggles to survive. Every two years or so, some government officials try to close it down. Its faithful clients battle back. I remember hearing about one such threat, there was some kind of an image that came to mind under a cold shower moment (which were always my favourite moments) to consider chaining myself to the door of the Badanstalt, naked, mud covered, Irish. Twas not to be. Not yet, anyway. But this week I have asked all the major institutions of official bureaucracy in Denmark, to recognise that I have truly and actually, left the building. Hurrah!

So yes, perhaps I'll make it to the swimming pool of scary bigness one of these days, while I'm on campus. Small sauna, mixed gender, considerably chattier, bathing suits required (it's just not the same). It had better be before monday, though. For on monday morning, I fly to Barcelona, for a week and a half.

Starved

But of course, this being Ireland, it's back to late autumn/early winter weather, this past few days. Especially at night, cycling home. Cold. Windy. But moonlight lighting the fields and narrow roads I ride through.

I've just been reading this article. Clearly a complex man. Endearing, also. It must be strange if you're sensitive, being a popstar from a very early age. You know, the beard would have been enough. He could just have gone off on his alien hunt and kept his little obsession private. But instead, he was compelled to call Jon Ronson and make a documentary out of it. Well...

Check out the ingredients in these recipes, folks (or folk, as it may turn out today). This is having a profound effect on me today, as I sit in the Hilton lobby, munching on Brazil nut special toffee...

The first day of summer

so this is what i did today
walked a lot, in the countryside
saved a bumble bee from a compromising and potentially tragic situation for which he was grateful
rubbed a horse's nose
exchanged eye contact with some white cows
saw a ladybird, realised it was summer, said hurrah!, then saw another ladybird
waded in a river with some small waterfalls and cold water and felt good
rubbed my feet on grass and felt good
took most of my clothes off on the walk through the countryside, it was so warm
got ideas for movie projects
had some good coffee, could have drunk coffee through the day just because it tasted so good
had no dinner
hungry now
got out of the way of a very brazen robin redbreast who you really wouldn't have wanted to mess with
went for another walk down by the river into the sunset
Here's a pic of my evening stroll...

The dog that ate my dinner

I went to get some dinner, in the student bar of this university that I'm spending my days hanging out in, lately, working on these projects I'm really excited about, these projects I'm busy breathing life into, lately.

So I'm feeling kind of antsy and I go to the student bar to get some food, and all they've got left is this stuff called "chicken goujons" and you know, these badly processed chip things, and I turn from the counter and realise that there are about six hundred eighteen year olds in flouncy dresses and suits, and the chip lady tells me that it's some kind of first year ball. There's nowhere for me to sit and eat my chicken goujons, so I go outside to the outdoor courtyard, and the rain is pelting down on the roof above where I sit, eat, and watch the parade of loud satin and umbrellas, running for cover and madly text messaging.

That's when the pooch shows up. The one pictured. He just showed up, quietly sat at my table, sat and looked at me. His eyes watery, sad looking, old, he looked dirty, neglected, not malnourished. Matter of fact begging. No bullshit about it. No tricks, no fancy stuff, no cuteness, no smooth moves. So I gave him some of my chips, the crispy ones, the ones I don't like. He ate them. I gave him more. I took pictures of the girls in their vehement coloured satin, some with quite elaborately positioned cleavage, some in frou frou meringue style, all with spindly heeled sandals and their toes squidging around in the rain, as they ran across the courtyard, through the downpour.

Later I got to thinking about the Trinity Ball, the satin-fest of my own extreme youth. I never wore satin: went only, I think, to two of them, though it could have been more, and I certainly have many vivid memories from them. To the first one I wore very short scarlet velvet, bought a ticket off someone on the day, having resisted the whole affair for a full year before that. And the second one I worked at, as hospitality chica. That night was notable for being offered a line of cocaine for the first time (aw..) and some London rapper tried to bribe my t-shirt from me (for the t-shirt's sake, I think, not the be-bra'd female underneath it). The Buzzcocks played that year, some reunion gig, I don't know if any of us youngsters really knew who they were. They seemed to have fun, though, and trashed the sound system, middle aged rebels that they were.

Back in the Stables courtyard, the pooch kept looking at me. He wasn't aggressive, but it was intense. I gave him more chips, then some chicken, then decided to buy him some kind of food in the shop. So off I went, and found a can of sardines, and got looked at sadly by the boy behind the counter with the large auburn eyes, and went out again in the rain, looking for sad pooch amongst the legs of the suited boys and the satinned girls, but sad pooch had disappeared. I felt wretched.

Reminded me of a horribly mangey, very sick and suspicious, terrified and starving dog I met in New Orleans one hot august evening. I followed him into some midtown ghettoes trying to give him some can of dog food I had bought in a petrol station. He didn't want it, kept running from me, suspicious of what I was up to. Followed him all the way to Basin street, or Perdido, some street once full of hookers, now famous from a song that came from that seething time in the life of that city. He fucked off, finally, after giving chase to me in a small park, and I walked back through those ghettoes, with street dudes sleeping on benches, and tears pouring down my face, all the way to the St. Charles streetcar, feeling a place in my heart that was sucking from the inside.

Sometimes your help is not wanted and that is hard.

A boy tried to say something witty and friendly to me last night. I responded with ueber-caginess. He apologised for freaking me out. I responded with polite ueber-caginess. Oh I prefer when life is not so serious.

These tiny stories are important. Important to tell, sometimes. I don't know why.

Lucy at Mamuska

It was the night of Mamuska on friday. Lucy made a performance, with performed poetic narrative, photographs and Ross' music. It is as truly a work in progress as that term has ever meant, but it was hugely hugely fun, and spirited, and people seemed to dig it. Got no pictures to show for it, for my laptop was employed the whole night in work and communication, but a lovely man called Conor took photographs, and we have made recordings, which I expect will show up some time very soon on my main website (which, lord knows, could do with a bit of updating... for it is spring!)

Mamuska's such a great platform. Daghdha's venue is fantastic: large but not cold, dense, full of potential, the venue equivalent of the sprung floor that supports it. And that goes for the spirit of the people who support it too, by being there, by staying there for the full evening, and the spirit of the performers, the contributers, who reveal their half-made work for to see what lies further inside it, and they can sometimes be rewarded with an inspiration of life, of breath, of ideas, and the energy of the return.

Mark Carberry made a pretty gorgeous little boxer/prom queen dance vignette, there were lots of dance experiments and celebrations, a piece for live and recorded harp, and some moving movement movies..

Fab fab fab and inspired, and inspired, and inspired...

Thick skinned beauty

So the topic of this post is the delicate rendering of this nuanced, sensitive portrait. I wonder if he was trained to do that? Even if he was though, I think it's the humans that come over like the ridiculous creatures we can be sometimes, with our cheap clapping and our tiny insights into the possibilities of internal life in another living being. I bet he's thinking, yeah, but just you wait until I write a novel about how I feel about The Way Life Is for we who are not human, living in a human dominated world.

Elephants are intelligent, feeling creatures, as far as I can tell. I saw a documentary a couple of years ago, some Richard Attenborough thing I think, and the film makers had made fake elephant dung shapes with cameras hidden inside them, and scattered the cameras all along a major African elephant trail. Of course the elephants got hip to the fake dung aspect pretty sharpish, and took to playing football with them.. but enough cameras remained to document their response upon finding a small elephant graveyard along their walk (some might call it a pilgrimage, much in the same way that you could call the salmon's journey to the source of its birth, in order to spawn, and die, also a pilgrimage). When they came upon the elephant bones, they stopped, and smelled and paid attention, and lingered, and gathered, and were quiet and paid attention to the bones for a while, much as we humans behave at graveyards (though of course we usually tidy up our dead, with lawned graves and headstones and flowers and candles. Of course, the presence of actual dead human bones found along the morning jog to the bakery would most likely not produce quite such a measured response in the normal human being...)

I have only met one elephant in the flesh, so to speak. This impromptu meeting happened outside a nightclub on a freezing cold Danish night at one in the morning a couple of years ago. I was cycling back to Island's Brygge in Copenhagen after a late night at the shop where I sold my vintage clothes, and I glanced across the bridge to my left. An elephant was standing outside a really tacky nightclub, posing for mobile phone camera portraits with danish hiphop wannabees in the street.. I stared, then cycled past, through two sets of traffic lights, hungry and tired, but I realised with a sober heart that I was going to have to turn around and go back, and meet the elephant, stand there like all the gals and guys pretending to be Eminem, no better I, and touch elephant skin, look in elephant eyes, say hello, meet the circus attraction.

He was in it for the bananas, clearly. He was docile, stood there, knew not to stamp all over these clueless humans, knew what his job was, but wanted payback. People came with fruit. That fruit disappeared fast. You should have seen that trunk WORK. There was a ruthless look in his eye. The same look I've seen in the eyes of hookers in the Oak Bar of the Plaza Hotel. They ain't Eloise, sugar. I did take photographs, balancing my camera on the unexpectedly steady biceps of the ex-Levi's model cowboy who brought me there, until I was ordered to stop (by the bartender, not the cowboy).

I'm reading a novel by JM Coetzee right now, called Elizabeth Costello. It's quite a gorgeous novel, actually, his writing has a kind of low level blowtorch effect, I find. It's very gently warming until suddenly you're just scorched, eviscerated. The interesting thing about his work, for me, is that there's so much space in it, space of a kind that is rare in writing. The first Coetzee novel I read was Disgrace, a couple of months ago. It was an invitation into a mind, a quiet invitation to listen really really closely, but not dictating what you needed to listen out for.

It's my birthday today. It's my birthday today. It's my birthday today.

Beautiful rusted metal coils on grass

Somebody tried to burn them, they tried to burn metal, and they seem to have had some success. Peculiar thing, but very beautiful. I thought of Rapunzel, and this kind of thing. That's a bit of my own hair, blowing in the wind, on the right.

Daisies by the side of the road on the Clonlara bridge

The long distance blues

I've got the long distance blues
the iChat blues
the video skype blues
the gmail chat blues
the email blues
the snail mail blues
the mobile phone texting blues
the occasional phone conversation blues
the writing my next email to him in a text document because the house I'm living in doesn't have broadband yet blues
the seeing some small cows on the side of the road and stopping to take pictures so he can see what I see blues
the having profound feelings about what may and may not be possible and no good way to express these feelings blues
I've got the blues
I've got the long distance blues.
I've got the distance between county Clare and Brooklyn blues.
Here's a picture of those cows.

Some images of Ireland from this past week

I know of some Irish painters who have devoted most of their productive lives to painting Irish cloud formations. I don't expect you can see why, by this primitive photograph, but I've always found clouds in Ireland to exert tremendous influence on the mood of the people. I've heard my dad describe a sombre mood a number of times, by saying, the clouds are low in the sky today. It's something you'll recognise, if you live here, and are sensitive to these things.

A detail from the entry port of Glenstal Abbey, in county Limerick, where I went to witness the sung passion play the monks perform there every good friday. This is the first year for a while that I went there, with Dad, and probably the first time I've really paid attention to the text. The Abbey is a beautiful place, on many acres of lush, rich land, and as a child, I used to love the solitude and the freedom of running about and playing in the grounds, while all the adults were locked in the chapel, being very serious. This time I was one of the adults. The Jesus story at this easter week stage of the telling, is a devastating one. It's a terrible story, really, of injustice and fear and constricted hearts and treachery. The monks sing it so tenderly, in madrigals, with latin hymns sung at the end. The crescendo of the event itself happens after the story is sung, and left hanging, at the point where the man's body is taken down from the cross, and wrapped carefully in delicately scented cloths, and laid to rest in an unused tomb. The congregation files up to the simple wooden hand made cross that the monks have made, and wait in line, kissing the cross, each in turn, some symbolic gesture that struck me as deeply human, deeply animal. Profoundly moving.

A very modern bridge, in the University of Limerick campus. This is a somewhat winding, curved, foot and cycle bridge, with seated areas built into it, which I have seen used by students every time I've cycled over it. Under the bridge is a beautiful river, with trees growing in it, and small waterfalls, it's quite a gorgeous contrast, especially at night. Beyond the bridge on one side is one of the most dynamic, largely technological, campuses in Ireland, and on the other, tiny little country lanes with a pub nearby that has on most days got a big fire blazing in the hearth, and little formica tables and chairs, and you can get a large pot of tea there for two euro (about ten thousand dollars, granted) which will yield at least four and a dribble cups of decent and strongly brewed tea, and they'll put a fox's creme biscuit bar on the side of your cup too.

Head of a small cat in a garden where I once lived

The SoHo cat and his self-portrait

He took this picture himself, on my computer. He told me to splash it around the internet a little, raise his profile. Man, I'm stuck in this apartment the whole time, he said. How can I get famous when I spend all day indoors, right in the centre of the centre of the universe, here in SoHo? Man, the lousy ironies life throws at you sometimes.. I see it all from the window, and I want a part of it, man. I wanna get PAID..

What can I do but oblige a downtown cat?

Amoor

Maiden form

Don't honk on Sex st.

Insect love

These guys know how to rock.

Good evening. This is the news.

So.

The diners are trooping into the hotel restaurant for dinner and there's a solitary batchelor sitting in the opposite corner of the lobby from me, waiting for the other people he's about to dine with, his family by the sounds of things, who are late. He wandered into the middle of the lobby, trying to reach someone on his phone. The first thing he said was "So we're meeting here, aren't we?" muffle muffle muffle on the other end. "Ok, I'm in the reception. I'll wait in the reception for ye so". You can give these people all the money in the tiger's belly, but evolution just doesn't change as quickly as it takes to throw up a few five star hotels. And then he fell into an oversized Danish designed bright yellow seat, looking forlornly around at the foreign modernness of his surroundings, and waited, slumped in his boredom.

As I typed that sentence, he upped and left. I've noticed that people don't like to sit around being typed about. I've noticed because I have a tendency to sit around typing about people who are sitting around. They're much more comfortable about being written about, especially by fountain pen, but they're much more likely to look at you then, and even talk to you, ask you what you're writing about. Maybe the computer puts them off because it reminds them of work.

I've had people tell me I should close my laptop and "just relax and get drunk like everybody else".. people just aren't used to recreational laptop use in public, in this country. So you know, I tell them (sometimes) that I'm having fun, actually. That I have fun with this computer, that I like it. That it's not some drudge idea of work. That I may or may not be working, but that even when I am working, that that's fun too. Some people really don't understand that. So I sit alone in the lobby, and type.

Some questions.. Is the Irish Times the only newspaper in existence that is accessible on the internet only for paying readers? The New York Times is free, for Christ's sake. The Guardian, The English Times, The Irish Indo.. You can even get your page three tits for free over at The Sun. But for access to the Irish Times, who have patented the domain name Ireland dot com, you've got to pay them 2 euro for 24 hour access. They seem to believe in striptease journalism, though. They give you a glimpse of paragraph for free, then snap at you to subscribe before they'll reveal more. To hell with it, who needs the Irish news when Playboy's monthly rates are cheaper..

And is Ireland the only country that gives a central position in its news and current affairs programming to every little grisly detail of the murder trial du jour? I don't know if it's that there are more murders here than anywhere else or just that there's a national fascination with the detail here, but every time there's a good meaty murder trial over in the Central Criminal Court, we huddle around our tellies, watching the dailies being relayed to us every evening, by a tall man with a spitty kind of voice. Every time I see him on the telly, I think he must have been that boy in the nightclub who was somebody's younger brother, the go-between from the older boys and girls across the dancefloor, delivering yes's and no's and he-wantsta-dance-witya's and every little detail of the gossip of the moment with an intensity of moment, and he just never got over it. He seems to be a proper grown up man now, and a proper grown up journalist I'm sure, but he's still got that he-said-she-said voice, that delight in not being at the centre of the drama, but still having a dynamic function as the messenger boy as he delivers his blow-by-blow accounts of the day's proceedings.

Like food, music and attitudes to sex, each country has its own distinctive styles of news programming. The news in Denmark was classic coldblondenorthern fare. Political debate and talk. Nothing salacious whatsoever. Then some seventy year old codger who had been the Danish ambassador in Haiti wrote a book about his escapades rutting some fourteen year old high arsed impoverished black streetgirls and the whole country was incensed by it. Middle aged men and women piled onto the telly to condemn him. There was a token one very idiotic middle aged woman who was so lightweight they had to weigh her down with a sandbag to stop her from floating away into vagueness, said that she thought the old codger was sexy. To be honest, the story was a welcome relief of filth in a country that follows the royal family's frumpy fashions as the national tabloid excitement. And it was the only book in Danish I've ever read most of the way through (though there was a fair whack of flicking through, I have to say. But finding the sexy bits in a Danish novel is an art and a talent in itself). Of course, the old codger lost his job, and was last seen eyeing up an eighteen year old waitress in an effort to date older women with serious minds.

No, the Danes were not tremendously keen on interesting news, or making news interesting. But then, when the news is in Danish you're kind of halfway to oblivion as it is. And then of course, they hit the front pages internationally, with the whole Mohammed comics story. And lately there's another story that's emerging violently and fitfully in Danish life, which is the streetburning youth rebellion story.

And then of course there's the other extreme: the news from America. The everything's under control, clean, tidy and yet with a Rambo undercurrent style of news broadcasting, where the attitude seems to be that you'll only really believe this ridiculous shite when it's spoken by human beings who have had all the human stuff vacuumed out of them, leaving only pure white teeth and smiling dead fish eyes behind. I think the idea is that viewers will defer to the natural air of authority that such humans are supposed to exude. I think that actually, they probably just want a good spanking, and fortuitously enough, they are paid enough money by the network to source a good, thorough and discreet spanking after every show.

This new Ireland (which actually is about ten years old so it's not bloody new at all anymore, and calling it new is really fucking boring, but I've been away from it so it is new to me every time I come back here) is so contractual. We've adopted a kind of social awkwardness in the form of legal contract consciousness, because, I think, money has made us all a little more suspicious of each other than before, when nobody had any and you could spot a chancer a mile off. He was the fella throwing himself into a 2cm deep pothole in the middle of the road and claiming whiplash and compensation off the government, and disability benefit and free television licenses for the rest of his life, to ease his pain and suffering.

But everybody else got on with things with a nod and an understanding that things would get done and, for the most part, paid for, and that was about the extent of people's worry regarding all the relationships between us that are now governed and monitored with contracts. People make contracts to have conversations with each other, and sign waivers that anything they discuss they will not be held legally in obligation to, unless of course, they make another contract. Contracts are legally enforceable, and are an essential part of a world that runs on expectation and demand. I'm not complaining about Ireland having some harder edges in it these days, it's certainly a more energised kind of place, but you know, at this point in its evolution at least, you can really tell that we haven't always been like this. Something about the selfconsciousness and the inchage of make up on the new breed of homegrown celebutante, these new anonymous-modern hotels in the provinces, the newly botoxed attitudes of women, the sheer real estatisation of the Irish spirit.

Ah sure, feck it. That's just another day's work.

Thank you, and goodnight.

A swan by the river in Limerick city

Another one of that crow at Shannon airport

Pictures from the road

Cosy fireplace Ireland cliche to warm yourselves around

But it really does look like that over here..

A blatant ad for Tom Warnick

Have you ever heard Tom Warnick and the World's Fair? This man rocks. I found my way across the path of a Daniel Johnson record recently (gotta watch out for oncoming traffic going the wrong way down a one way road in this kind of situation) and I thought it must be an early or hairy TW record but with much more prozac and a higher nervous breakdown frequency ratio (and fewer instruments and generally less going on) but seriously, I wonder if he ever heard a Tom Warnick record. His voice and I suppose some aspect of the basic vibe is really strikingly similar. But I prefer Tom. More heart. More sweetness, smarter and generally more fun. Prettier too, and sexier, with better coffee and comfier sofas.

The crow at Shannon airport

He cawed "gimme some" at me while I waited for the bus, eating my Catch bar. It's been a while since I've been Taking Off online, I've been taking off on an amazing adventure around Ireland, happily bereft of internet thoughts, but having an occasional dream about a lost laptop, calling softly on the breeze for me to love it again. And so here we are, again..

In Dublin

I'm writing this from a room on the third floor of the Harcourt Hotel in Dublin. I used to live around the corner from this place, on Synge street, for most of the time I lived in this town. It's slightly odd to be staying here at a hotel, but only slightly. It's been almost five years now since I left Dublin, and my relationship to it lies somewhere in the mix of tourist and native, the classic ex-pat condition.

I remember an evening I spent in the company of an Irish friend of mine from Raheny, and his Arizona-born wife, in their hotel room in Jury's, up on Christchurch, about six years ago. They had been living in Phoenix for a while, where they both became lawyers, then they moved back to Dublin to try to make a life here, but the ground kept shifting from under their feet, and they found the ways of Dublin and the legal trade here too stiff and unwelcoming to the skills and qualifications of outsiders, so ultimately they found their way back to the desert, to Tucson, where the the climate suited their new skin.

Last night I heard about another friend, from Germany, who tried to move here with his wife and children, after a life-long passionate love affair with Dublin and many years of living here, but again, even in this celtic tiger economy and with sophisticated skills and experience, his wife couldn't get a job, so they've moved back to Germany. It's interesting to look at some of the choices made in this self-selecting culture.

Who and what thrives here, and what is left out in the cold to find its own way elsewhere? There's so much talked about this economy and how everybody's making so much money and how rich everybody is, talk about kings and tribe and millionaires and the great Irish entrepreneurial spirit, but that's the story written by those who succeeded on the terms of this newly made world, not those who had to leave it, or those who are being forced out of their homes because of climbing interest rates on their 100% mortgages.

There are even smaller, more specific stories, the kind of stories that are like the face of one of the new breed of celebutante spokesmodel sunday indo darlings when she's alone at night, and stripped of all that mascara and make up, and fearing to glance at her naked reflection in her bathroom mirror, stories that are naked and rarely seen, rarely heard of, stories that are so easily eclipsed by the noise of the glory and the bling bling.

The joy of text

These are some of the text messages I keep, looking at them over and over when I'm deleting my daily texts (the Irish replacement for evening prayers) and so far they have all escaped the delete button and they’ve been around for quite a while.. What text messages do you keep? Post some in comments..


My first and only text sent by dad from his phone:

Wh bns

From Ross:
(oops)

Johs:

Hey, kom lige til at tænke på dig, og om du fik min sms? - nå, men min mund er fuld af huller, morten, sigurd er kommet i kaninparadis på lolland, og du skal snart til new york! Savner dig lidt her i den kolde sommer! Johs.

English translation:
Hey, I've just thought of you, and if you got my sms? Yeah well my mouth is full of holes, morten, sigurd has gone to rabbbit paradise in Lolland, and you will soon be in new york! Miss you a bit here in the cold summer! Johs.

One from mum:

I.m on firefox

And one from dad sent by mum on her phone:
Thanks there are 3 sharps all through well done dad

One from an artist I met in Barcelona, in the street, an hour after getting into town, making an arrangement to meet later that week..

Meet me in cafe of escola hipica, avda muntanyans sun. 12 pm. It is behind poble espanol, metro placa espana. I will be on horse. Anne X

One from Melis:

Love ya Lucy. You rock like a train. Mmmmtch

Aer Lingus, minutes before I was interviewed by the immigration lady for a full hour:

Please proceed to US Immigration 90 minutes prior to departure. This may prevent you from missing your flight. Thank you

Ross:
Yes!

From a poet I spent a lovely afternoon with, once:
How about a walk - could meet @ The Lame Duck @ 3.45. They do a good cup of tea there & nice river walk? Jo

Ross: Is it goodnight ladies? Last dance? The party’s over?

Ross: I don’t know can u convert cockroaches

And my favourite one by a long way is one my mum sent me when I was in Barcelona last year, verbatim.

Yes i topped ur cred. U wont believe cats were in u. P. Room. Window alex open’snor felix no iis own mrs. And lady missing when dogs went out to do bugsness mrs. Onsn’so. Window later lady trying to get back to kennel when they got in they couldnu a happier.

The Lobby

Right now, there's nobody here in the lobby. There was a big group of people when I came in a few minutes ago, they've all petered off now, all Irish except for a single brassy blonde Aussie woman, clearly being brought into the family by one of the sons, and when I came in she was holding court about Australian wildlife.

So I think she was probably talking about kangaroos, but anyway she was talking about how everybody has a license to shoot them, that they breed in droves and they're a pest in Australia, and the family was asking questions and went all quiet in the face of her vehemence. I mean, when you've grown up watching Skippy (a kid's programme about a bush kangaroo, made in the sixties and repeated on Irish tv until the nineties), then your next actual connection with Skippyland is a big bottle-blonde woman saying how happy she is to shoot Skippy, something in you probably goes all quiet, alright.

And then they asked about snakes, and she said they were everywhere, under the floorboards, in the wheels of the car, in the letterbox, in the loo.. and they went all quiet again. "Thank God for St. Patrick", says the dad, and laughs, alone. "I think the Aboriginal people eat them", says the brassy lady, and and the dad gives a loud cough, and the brassy lady goes off to the loo. Nobody said very much after that, but everyone slowly moved away, in twos and threes.

Mamuska Night, Limerick

There was a gorgeous event last night in Daghdha Dance Space in Limerick city, called Mamuska. Apparently it's been happening there on a bi-monthly basis since last year, and it's a breath of fresh air on the Irish arts scene. I've been part of events of this sort before in different cities, and it's just so great to see one really working very well. The Daghdha space itself is amazing: housed in an old church up in St. John's square, surrounded by a graveyard, with apparently little changed except that they removed all the old fixtures and fittings of pews and altars and baptismal fonts and that kind of thing, and laid down a dancefloor.

Daghdha is a dance company and some kind of a powerhouse of ideas and collaborative activity pulling in all sorts of disciplines and artists from all over the world, and one of their spinoffs is Mamuska. The idea of Mamuska is to make a space every couple of months for people to socialise, for artists to air their sketches, ideas in progress and imperfections, and to keep the airways open for something magical and spontaneous to emerge, should the need arise. That's how I felt there, anyway, and it felt open and friendly and unpreoccupied with itself in a way that was incredibly refreshing for the Limerick, or just about any other arts scene.

There were installations, including a tent with a video piece inside it, a plinth with rows of buns stacked on top of it (for the purpose of eating) and video of bun making and bun arranging beside it, sofas, open seating, a bar, a large video screen that showed projected video and photographs, performance, sound scapes, and a small piece of theatre. I left a bit early, so I didn't catch the last couple of things. No piece was longer than 10 minutes, and everything had an unfinished, loose and open kind of feel to it. I wandered around, taking pictures on my laptop, and chatting to various people around the room. I found it really friendly and fun.

It reminded me a lot of the church on Møllegade, in Copenhagen, and the Meet Da Lama nights that Helle Thun used to run over there, on a total shoestring budget (quite unlike the budgets that Daghdha have at their disposal) and a lot of love and passion for exploration and improv. Each Meet Da Lama was an experiment without any firm conclusions, but it drew a lot of people, and for me, the combination of an open event of lots of artists of various disciplines that welcomed on the spot participation, and hugely importantly, that it took place in English, was about the friendliest hook-up I found in Copenhagen. Ultimately something like that needs more of an infrastructural grounding than Helle could possibly provide on her own, and so it burned itself out at some point of 2005, I think, but it was great to see the spirit of that alive and well in Limerick city last night.

Here are some pics from the event...

Mamuska night pics

What to do in the event of an atomic bomb

I’ve decided to keep an occasional series of posts under the label, Google Searches. People out there in internet land have a LOT of needs, and very often they confess all to Mother Google, in the form of a question, or a declaration of a problem, or something sought after. And sometimes, these searches send them in the way of Lucy Takes Off. I find out about them when I check my stats, and discover how people get here.

If you got spun out here today for the first time like a cow from the eye of a tornado, welcome to the pastures of Lucy Takes Off. If you’ve been hooked up to Lucy Takes Off for months like a bitch to a bag of crack, welcome. I can only hope that you find here a balm to soothe the worry from your brow, get a little kick to get you through the night. We do our best, here at Lucy Takes Off, and her sister site, Here Comes Lucy. Feel free to have a look around.

So this series starts here, with a question from Concerned from Portsmouth, whose issue with Google last night was “what to do in the event of an atomic bomb”. Naturally, Concerned was ushered at once into the safe waters of Lucy Takes Off. And the post he was directed to was this one from December of last year, but we’re an audience friendly kind of shindig around here, so I’d like to address his question more fully, directly.

Well, the first thing that I would imagine I would do if I saw a mushroom cloud in the sky, would be to be very surprised. You just don’t hear about atomic bombs anymore. They’ve just lost their popularity. Sure, there was some attempted resurgence in the last few years, but that all came to nothing more than accusations and threats and bombs dropped on countries who wouldn't play "bomb back".

What with the bubble skirts and big hair and loud patterns of the eighties coming back around recently, there’s been a fondness for all things of that era, and nuclear fright was all the rage back then too. So my best guess for that initial response, is that most people would be looking in the sky uttering variable involuntary invocations on the “what the fuck” theme, and if you’re in a car you might find yourself in a crash-type situation, so I would advise wearing a seat belt at all times, or if you’re a cyclist, a sturdy helmet. But I think you’ll manage that shock response all on your own.

The next thing to do would again be instinctual. Reach for your camera, your mobile phone, your mac with photo booth, and take a picture.

A few years ago in Ireland, there was some frenzy about what we would actually do about fall out, if it were ever to happen. I think it started on the Joe Duffy show, where many good national scares start, and we collectively realised that actually nobody had been talking much about nuclear bombs anymore and none of us knew what we’d do. So the minister who was supposed to know all about this stuff turned out not to know anything much about it at all but somebody whispered in his ear that they had heard a rumour on the internet that it would be a good idea to drop iodine tablets into drinking water, and that that would neutralise all the radiation in the fallout, and everything would be groovy. So everybody in Ireland who was registered to vote got sent a little package of iodine tablets. I don't think anyone wrote a song about that phenomenon, the iodine tablets and our salvation. Missed moment.

I read a lovely graphic novel when I was small. It was called “When the Wind Blows”, a story of two old people who had been young in London during world war two and how they tried to cope with a nuclear disaster in the same way as they did back then, which of course didn’t work out too well for them at all. But it’s a pretty gorgeous book, if you ever happen to come across it. You’ll probably have it read in a couple of hours, and it’s a good illustration of what happens when people try their best to apply what they’ve been told they should do in the event of a nuclear war to the reality of it.

So, Concerned, I hope this helps to round out your checklist and sense of preparedness for what to do In The Event Of A Bomb. Good luck. I hope you never have to pop those iodine tablets (available widely throughout Ireland in 2003 or perhaps in a chemist shop near you).

Guantanamo bay knickers

How about this for that special gift for that special lady on Valentine's day..

Yikes, it's a tiger in sequins and fake tan (and she's forgotten her tablets)!

Here's the first line from an article in today's Irish Independent.

Irish women are slowly drinking themselves to death in the comfort of their own homes -- sipping bottles of extra-strong wines as they sit in front of the television.

I was in a large suburban pub last night. The age range was very wide, from 18 to 75, and thoroughly mixed. The bizarre thing was that there were a few groups of young women dressed in tiny sparkly dresses and spindly sparkly sandally stilettoes, tremendous quantities of cleavage on display, bare legs, mucho make up, and there was even one gal who seemed to be inspired by the Pussycat Dolls' dominatrix routine, but with Irish Dancing style dyed black ringlets. She got 'em going on the dancefloor, I can tell you. But I was making my escape when that got started.

There's something really odd to me about dressing up like a drag queen to go to your local pub on a saturday night. But this is part of the Tiger legacy over here. The above mentioned newspaper is always going on about how rich the Irish are, and certainly, there's employment, and drinking money, and houses being built and extensions on houses being built. And there's money, there's no doubt about that. But I think that for most people, it's about dressing up like you're expecting the paparazzi to show up and snap you as you fall out of the pub/your dress/your mind at 3 am. There seems to be a lot of hope in it. Hope with boom, despair with bust, of course. But everybody's trying really hard to be sexy in Ireland, at the moment. They'll do just about anything to be sexy. And in Ireland, at the moment, sexy is defined in streetwalkin' drag queen terms.

I lived in Denmark for three and a half years, where of course everybody looks like a supermodel and nobody wears make up (except the actual drag queens, because SOMEBODY has to have glamour). They're not outrageously rich over there, but the minimum wage is twice what it is in Ireland, and they have a decent health, education and social welfare system for their extra 10% tax. Of course they're all suffocated by their comfortableness, so that's another story.

There was a Mr. and Mrs. style quiz on The Late Late Show on friday night. Three couples answered questions like "What do you think your girfriend would name a baby, if it was a boy: Evan, Sean, or Justin?" in order to win a customised marquee wedding and honeymoon in Capetown, to the value of €35,000. This is what people are paying for their pageboy-scattering-organic-rose-petals weddings these days. And that's just the cheap, common or garden variety version. People save up for years so they can afford to get married. Just to have the day.

As I write, an old woman has been carried out of her jazz brunch in this fancy hotel, to languish on the couch in the lobby. She has forgotten to to take her pills this morning. The French Maitre D' has brought her a glass of water. They're calling her doctor.

Pub telepathy

I drew a picture of the back of a man's head in a bar, last night. He immediately scratched his neck, and looked around vaguely, behind him. He's the guy in the bottom left of this picture.

Empty space age hotel lobby zone

I'm lousy with jetlag, but alive and breathing in a new time zone. This is the view from here...

Bringing it all back home

Making an orderly queue of himself

the slightly rhyming morning news

What a gorgeous day.. I'm going up on the roof to get some rays.. Ireland again, in three days.. hurrah hurrah hurrah.. but Brooklyn today, Brooklyn today, Brooklyn today...

Bollocks

Bollocks.

Those darts of social pain

Have I blogged this already? Just found it, recently written in a notebook, written during some recent social occasion. I don't know who I was writing it to. Maybe you.

It's a look in the eyes, in the face, straight at you. Dislike. Suspicion. Retreat. Social awkwardness. And when you realise that you are, despite your mortification and your burning cheeks, actually no more and no less than anyone else in any room you will ever enter, but human and human alone and having the human experience of life, then maybe you'll be blessed with the capacity to be content with being no more, and no less, than that. And probably drink a lot less.

Milk Cartons

A considerable quantity of hair went missing
from the head of a man known as Head
Head's hair was called Ralph
and Ralph snuck away in the night so stealthily
or was stealthily kidnapped
or wandered away
no one quite rightly knows
but it was done quietly, no cries were heard, no pleadings,
no arguments, no fights, no police were called
Ralph went without even a whimper

the only trace of anything having happened at all was a quiet panic that ascended from the belly of Head, one morning
weeks after the last follicle of Ralph had been stroked, or fondled, or even noticed
and lifted off right through
and away, away, never to be seen again

Truth be told, Head knew was only a matter of time before Ralph walked out of his life
How could he hope to keep such a good looking hair like Ralph interested in sticking around
his humdrum day to day
He could tell that Ralph had ambition he could never satisfy
so yes, there was a story. Yes, he knew.
Though he had never been able to face it.
So by the time Ralph had gone, gone fully
and regret had climbed all over him to claim the place where Ralph once laid
Head was wracked with doubt over whether it would ever
be possible to make amends
to welcome Ralph home
to a new life for them
a mutually loving life, together?

Head walked through the streets of Brooklyn calling out to his lost hair, his belatedly cherished hair
Ralph, Ralph, he called
Come home, you will be loved, Ralph
He went calling
through the streets in January

He put posters up around the neighbourhood
with a picture of Ralph on holiday in France
looking shiny and contented
people agreed he looked very well
looked like he and Head were very happy together
People stopped in the street to commiserate with him
tears were shared
and stories
Pated men began to knock on Head's door
to share their loss, their grief, their woes


But there were hints, clues
telltales and tip offs
eye witnesses
informers
rat finks and their hopeful misconceptions
the skinny, the low-down, a smoking gun or two
there were sightings, there were notions
leads, marks, the occasional follicular doppleganger
those desperate cul de sac wanderings that ended in disappointment and suspicion

So Head had slight inklings that Ralph was afoot
most of it rumours, whisperings and idle gossip
By the time this fever was through
the search for Ralph had borne fruit in Head
the fruit of a feverish and passionate life
a life that had woken up to its pate, its fate, a moment right now
to do something with
to dream and execute

It was around this time that I met Head
And one day I called to Head with two plastic cups of takeaway corner coffee
hot filth: one for him and one for me,
and when Head answered the door
there was some new gentleness around his eyes
some quality of surrender
some peace
What is it? I asked. What have you done?
There is word, he replied.
Someone had seen Ralph.
There were reported sightings of Ralph in bathtub drains across the borough
none of them in houses where Head had visited
on his occasional nocturnal prowls, those moments of serendipity when a pate-loving woman invited him into her bed, and her shower, the next day
No, it was other stranger drains
that contained the hair that would surely prove to be Ralph, Ralph truly
The actual Ralph
Surely...

Did you get a private eye to find him? I asked
No, I got a plumber, he replied
and sent him after
but even an expert plumber
couldn't find any real trace of the actual Ralph
and so Head took his plight above ground.
He made pleas across the borough, citywide, and ultimately across the nation
Ralph appeared on milk cartons for a week
ousting the missing children that usually dwelled there
everyone had enjoyed the pictures of the missing children
they usually looked so cheerful and pretty over morning coffee
the misslings, they called them

Seemed like they had always been around
a real part of the family those misslings
Lightening our coffee, moistening our cereal
Something to put our cocoa into
on those sleepless nights
We kind of liked having those misslings around
We want them back! they announced at once, of a piece, in a chorus
a chorus of families demanding the return of their misslings to the cartons on their breakfast tables

and so when the misslings went missing, there was a fandango, a quargo, quite a to-do
and people actually began to ask, for the first time,
WHERE DID THOSE CHILDREN GO MISSING TO, ANYWAY?
and seeing as they asked, they got answered, and
the children were found in the milk carton factory
pumping udders
in udder slavery
though they said they were quite content to stay there
and not go home to their families
so much time had passed and they had become quite adapted to their new circumstances
had quite a rapport with the various cows that came through the factory
had developed skills
were valued and appreciated
and you know, they heard they had become famous in their absence from The Real World, that other place
that they were household faces, in fact
that they graced the tables
of all the dysfunctional families
they could ever hope or expect
to be a part of.

I was alone, I took a ride, I didn't know what I would find there. Another road where maybe I could see another kind of mind there.

Ants won't cross a chalk line. If you see them coming in your window, you can draw a line in chalk through their march, and they won't cross it. You'll see their frustration and their intelligence put to work at that chalk line, but they will not cross it. I don't know why. If there is a line of ants walking through your house, you can draw patterns in chalk and get pools of them that are encircled in chalk and don't know what to do about it.

I was thinking about hunger yesterday, about how we're all really just open books of information, however much we'd like to disguise it. It seems incredibly obvious, but we all just actually are what we actually are, regardless of costume. I suppose it's only really remarkable because of the elaborate games of façade building that are so much a part of how human beings socialise. So I was walking along the street feeling kind of hungry for something I couldn't quite name, and got the sense that whatever it was was probably attracting some kind of resolution scenario, whether I was aware of what was going on, or not.

Do you ever do that thing of looking at some particular other people's lives and think about how their lives seem to make more sense than yours? That they seem to be less complicatedly complex and more straightforwardly simple and quietly, daily burning with some of the key elements of life that burn in a huge pyre in the middle of your dark winter's night, and then not come again for weeks or longer? I do, sometimes.

People are different to a really very limited extent, we have different variations of the exact same desires and experiences of life, and usually, I think, most human beings ricochet around exactly the same tin can of humanness, just finding themselves lying on its side or its lid at different times, and for longer or shorter periods. (If you don't get the tin can metaphor, it's slightly but not really oblique, so just take a deep breath and read that sentence one more time, and it'll crack open its rusty beans to you, I promise).

What distinguishes us is the way our lives look to other people, and of course the kinds of activities that happen, the kinds of activities that don't; temperament; and how a person has been shaped by their experiences. Even within that, I don't think the variation is so extreme. And yet we all act like it is, or actually, feel like it is: we get huffy or passionate with each other, we like and dislike each other intensely based purely on how we think we're being perceived or understood, we respond and don't respond to each other's descriptions of exactly the same experiences of living, depending on the language used. We're peculiar, I suppose. Tigers don't seem to be like this.

And then there's the whole sense of expectation of life, based on desires that may go deep or shallow, or just stick around for a long time. And so it's kind of easy to look at your life to see if it's fulfilling those desires, and so find fault or sorrow with it if it isn't. But human perception is a highly volatile thing. At least, mine is. My humanness is at the mercy of the wind and the sun and the moment and what's happening in my body at any given time. When people ask me what it is that I do (for a living, or passion, or whatever) I usually have to stop and think about it to figure out what it is this week. This is, at least, how I have been living for a few years, now. I feel very unknown to myself, in kind of a very fundamental sort of way. I am amazed and embarrassed and surprised by myself quite regularly (usually in different moments, though there are those crazy times when all those things come at once and usually it's hilarious, at least, when it does. Mercies.).

You know, people change their diets and their whole world changes. Moods, energy, thoughts, the lot. It's amazing what happens. Truly awe-inspiring, the diversity and unpredictability of this life.

I met this chick last night who kept touching my arm fondly, and saying things like "I'm so glad you're here", when she had just met me two minutes ago and those two minutes consisted entirely of her saying how fab I was, and this continued throughout our brief acquaintance. So maybe she blows some people's minds by doing that, it's an easy enough tactic to execute once you see it usually goes well, and you know, it's kind of cool to be someone who goes around blowing people's minds. Sometimes. When it actually happens, though, without any wile or guile or lipstick pouting, it's a real conversation stopper. And that can be a drag when you're just keen for a chat.

And blogging these thoughts does seem like a kind of insanity, especially when you're sober and it's four in the afternoon.