Thursday 27 March 2008

Beautiful rusted metal coils on grass


Somebody tried to burn them, they tried to burn metal, and they seem to have had some success. Peculiar thing, but very beautiful. I thought of Rapunzel, and this kind of thing. That's a bit of my own hair, blowing in the wind, on the right.

Daisies by the side of the road on the Clonlara bridge

Tuesday 25 March 2008

The long distance blues



I've got the long distance blues
the iChat blues
the video skype blues
the gmail chat blues
the email blues
the snail mail blues
the mobile phone texting blues
the occasional phone conversation blues
the writing my next email to him in a text document because the house I'm living in doesn't have broadband yet blues
the seeing some small cows on the side of the road and stopping to take pictures so he can see what I see blues
the having profound feelings about what may and may not be possible and no good way to express these feelings blues
I've got the blues
I've got the long distance blues.
I've got the distance between county Clare and Brooklyn blues.
Here's a picture of those cows.

Sunday 23 March 2008

Some images of Ireland from this past week

I know of some Irish painters who have devoted most of their productive lives to painting Irish cloud formations. I don't expect you can see why, by this primitive photograph, but I've always found clouds in Ireland to exert tremendous influence on the mood of the people. I've heard my dad describe a sombre mood a number of times, by saying, the clouds are low in the sky today. It's something you'll recognise, if you live here, and are sensitive to these things.

A detail from the entry port of Glenstal Abbey, in county Limerick, where I went to witness the sung passion play the monks perform there every good friday. This is the first year for a while that I went there, with Dad, and probably the first time I've really paid attention to the text. The Abbey is a beautiful place, on many acres of lush, rich land, and as a child, I used to love the solitude and the freedom of running about and playing in the grounds, while all the adults were locked in the chapel, being very serious. This time I was one of the adults. The Jesus story at this easter week stage of the telling, is a devastating one. It's a terrible story, really, of injustice and fear and constricted hearts and treachery. The monks sing it so tenderly, in madrigals, with latin hymns sung at the end. The crescendo of the event itself happens after the story is sung, and left hanging, at the point where the man's body is taken down from the cross, and wrapped carefully in delicately scented cloths, and laid to rest in an unused tomb. The congregation files up to the simple wooden hand made cross that the monks have made, and wait in line, kissing the cross, each in turn, some symbolic gesture that struck me as deeply human, deeply animal. Profoundly moving.

A very modern bridge, in the University of Limerick campus. This is a somewhat winding, curved, foot and cycle bridge, with seated areas built into it, which I have seen used by students every time I've cycled over it. Under the bridge is a beautiful river, with trees growing in it, and small waterfalls, it's quite a gorgeous contrast, especially at night. Beyond the bridge on one side is one of the most dynamic, largely technological, campuses in Ireland, and on the other, tiny little country lanes with a pub nearby that has on most days got a big fire blazing in the hearth, and little formica tables and chairs, and you can get a large pot of tea there for two euro (about ten thousand dollars, granted) which will yield at least four and a dribble cups of decent and strongly brewed tea, and they'll put a fox's creme biscuit bar on the side of your cup too.

Head of a small cat in a garden where I once lived

Sunday 16 March 2008

The SoHo cat and his self-portrait


He took this picture himself, on my computer. He told me to splash it around the internet a little, raise his profile. Man, I'm stuck in this apartment the whole time, he said. How can I get famous when I spend all day indoors, right in the centre of the centre of the universe, here in SoHo? Man, the lousy ironies life throws at you sometimes.. I see it all from the window, and I want a part of it, man. I wanna get PAID..

What can I do but oblige a downtown cat?

Amoor

Friday 14 March 2008

Maiden form

Don't honk on Sex st.

Thursday 13 March 2008

Insect love


These guys know how to rock.

Monday 10 March 2008

Good evening. This is the news.

So.

The diners are trooping into the hotel restaurant for dinner and there's a solitary batchelor sitting in the opposite corner of the lobby from me, waiting for the other people he's about to dine with, his family by the sounds of things, who are late. He wandered into the middle of the lobby, trying to reach someone on his phone. The first thing he said was "So we're meeting here, aren't we?" muffle muffle muffle on the other end. "Ok, I'm in the reception. I'll wait in the reception for ye so". You can give these people all the money in the tiger's belly, but evolution just doesn't change as quickly as it takes to throw up a few five star hotels. And then he fell into an oversized Danish designed bright yellow seat, looking forlornly around at the foreign modernness of his surroundings, and waited, slumped in his boredom.

As I typed that sentence, he upped and left. I've noticed that people don't like to sit around being typed about. I've noticed because I have a tendency to sit around typing about people who are sitting around. They're much more comfortable about being written about, especially by fountain pen, but they're much more likely to look at you then, and even talk to you, ask you what you're writing about. Maybe the computer puts them off because it reminds them of work.

I've had people tell me I should close my laptop and "just relax and get drunk like everybody else".. people just aren't used to recreational laptop use in public, in this country. So you know, I tell them (sometimes) that I'm having fun, actually. That I have fun with this computer, that I like it. That it's not some drudge idea of work. That I may or may not be working, but that even when I am working, that that's fun too. Some people really don't understand that. So I sit alone in the lobby, and type.

Some questions.. Is the Irish Times the only newspaper in existence that is accessible on the internet only for paying readers? The New York Times is free, for Christ's sake. The Guardian, The English Times, The Irish Indo.. You can even get your page three tits for free over at The Sun. But for access to the Irish Times, who have patented the domain name Ireland dot com, you've got to pay them 2 euro for 24 hour access. They seem to believe in striptease journalism, though. They give you a glimpse of paragraph for free, then snap at you to subscribe before they'll reveal more. To hell with it, who needs the Irish news when Playboy's monthly rates are cheaper..

And is Ireland the only country that gives a central position in its news and current affairs programming to every little grisly detail of the murder trial du jour? I don't know if it's that there are more murders here than anywhere else or just that there's a national fascination with the detail here, but every time there's a good meaty murder trial over in the Central Criminal Court, we huddle around our tellies, watching the dailies being relayed to us every evening, by a tall man with a spitty kind of voice. Every time I see him on the telly, I think he must have been that boy in the nightclub who was somebody's younger brother, the go-between from the older boys and girls across the dancefloor, delivering yes's and no's and he-wantsta-dance-witya's and every little detail of the gossip of the moment with an intensity of moment, and he just never got over it. He seems to be a proper grown up man now, and a proper grown up journalist I'm sure, but he's still got that he-said-she-said voice, that delight in not being at the centre of the drama, but still having a dynamic function as the messenger boy as he delivers his blow-by-blow accounts of the day's proceedings.

Like food, music and attitudes to sex, each country has its own distinctive styles of news programming. The news in Denmark was classic coldblondenorthern fare. Political debate and talk. Nothing salacious whatsoever. Then some seventy year old codger who had been the Danish ambassador in Haiti wrote a book about his escapades rutting some fourteen year old high arsed impoverished black streetgirls and the whole country was incensed by it. Middle aged men and women piled onto the telly to condemn him. There was a token one very idiotic middle aged woman who was so lightweight they had to weigh her down with a sandbag to stop her from floating away into vagueness, said that she thought the old codger was sexy. To be honest, the story was a welcome relief of filth in a country that follows the royal family's frumpy fashions as the national tabloid excitement. And it was the only book in Danish I've ever read most of the way through (though there was a fair whack of flicking through, I have to say. But finding the sexy bits in a Danish novel is an art and a talent in itself). Of course, the old codger lost his job, and was last seen eyeing up an eighteen year old waitress in an effort to date older women with serious minds.

No, the Danes were not tremendously keen on interesting news, or making news interesting. But then, when the news is in Danish you're kind of halfway to oblivion as it is. And then of course, they hit the front pages internationally, with the whole Mohammed comics story. And lately there's another story that's emerging violently and fitfully in Danish life, which is the streetburning youth rebellion story.

And then of course there's the other extreme: the news from America. The everything's under control, clean, tidy and yet with a Rambo undercurrent style of news broadcasting, where the attitude seems to be that you'll only really believe this ridiculous shite when it's spoken by human beings who have had all the human stuff vacuumed out of them, leaving only pure white teeth and smiling dead fish eyes behind. I think the idea is that viewers will defer to the natural air of authority that such humans are supposed to exude. I think that actually, they probably just want a good spanking, and fortuitously enough, they are paid enough money by the network to source a good, thorough and discreet spanking after every show.

This new Ireland (which actually is about ten years old so it's not bloody new at all anymore, and calling it new is really fucking boring, but I've been away from it so it is new to me every time I come back here) is so contractual. We've adopted a kind of social awkwardness in the form of legal contract consciousness, because, I think, money has made us all a little more suspicious of each other than before, when nobody had any and you could spot a chancer a mile off. He was the fella throwing himself into a 2cm deep pothole in the middle of the road and claiming whiplash and compensation off the government, and disability benefit and free television licenses for the rest of his life, to ease his pain and suffering.

But everybody else got on with things with a nod and an understanding that things would get done and, for the most part, paid for, and that was about the extent of people's worry regarding all the relationships between us that are now governed and monitored with contracts. People make contracts to have conversations with each other, and sign waivers that anything they discuss they will not be held legally in obligation to, unless of course, they make another contract. Contracts are legally enforceable, and are an essential part of a world that runs on expectation and demand. I'm not complaining about Ireland having some harder edges in it these days, it's certainly a more energised kind of place, but you know, at this point in its evolution at least, you can really tell that we haven't always been like this. Something about the selfconsciousness and the inchage of make up on the new breed of homegrown celebutante, these new anonymous-modern hotels in the provinces, the newly botoxed attitudes of women, the sheer real estatisation of the Irish spirit.

Ah sure, feck it. That's just another day's work.

Thank you, and goodnight.

Wednesday 5 March 2008

A swan by the river in Limerick city

Another one of that crow at Shannon airport

Pictures from the road




































Cosy fireplace Ireland cliche to warm yourselves around


But it really does look like that over here..

A blatant ad for Tom Warnick

Have you ever heard Tom Warnick and the World's Fair? This man rocks. I found my way across the path of a Daniel Johnson record recently (gotta watch out for oncoming traffic going the wrong way down a one way road in this kind of situation) and I thought it must be an early or hairy TW record but with much more prozac and a higher nervous breakdown frequency ratio (and fewer instruments and generally less going on) but seriously, I wonder if he ever heard a Tom Warnick record. His voice and I suppose some aspect of the basic vibe is really strikingly similar. But I prefer Tom. More heart. More sweetness, smarter and generally more fun. Prettier too, and sexier, with better coffee and comfier sofas.

Sunday 2 March 2008

The crow at Shannon airport


He cawed "gimme some" at me while I waited for the bus, eating my Catch bar. It's been a while since I've been Taking Off online, I've been taking off on an amazing adventure around Ireland, happily bereft of internet thoughts, but having an occasional dream about a lost laptop, calling softly on the breeze for me to love it again. And so here we are, again..

Tuesday 26 February 2008

In Dublin


I'm writing this from a room on the third floor of the Harcourt Hotel in Dublin. I used to live around the corner from this place, on Synge street, for most of the time I lived in this town. It's slightly odd to be staying here at a hotel, but only slightly. It's been almost five years now since I left Dublin, and my relationship to it lies somewhere in the mix of tourist and native, the classic ex-pat condition.

I remember an evening I spent in the company of an Irish friend of mine from Raheny, and his Arizona-born wife, in their hotel room in Jury's, up on Christchurch, about six years ago. They had been living in Phoenix for a while, where they both became lawyers, then they moved back to Dublin to try to make a life here, but the ground kept shifting from under their feet, and they found the ways of Dublin and the legal trade here too stiff and unwelcoming to the skills and qualifications of outsiders, so ultimately they found their way back to the desert, to Tucson, where the the climate suited their new skin.

Last night I heard about another friend, from Germany, who tried to move here with his wife and children, after a life-long passionate love affair with Dublin and many years of living here, but again, even in this celtic tiger economy and with sophisticated skills and experience, his wife couldn't get a job, so they've moved back to Germany. It's interesting to look at some of the choices made in this self-selecting culture.

Who and what thrives here, and what is left out in the cold to find its own way elsewhere? There's so much talked about this economy and how everybody's making so much money and how rich everybody is, talk about kings and tribe and millionaires and the great Irish entrepreneurial spirit, but that's the story written by those who succeeded on the terms of this newly made world, not those who had to leave it, or those who are being forced out of their homes because of climbing interest rates on their 100% mortgages.

There are even smaller, more specific stories, the kind of stories that are like the face of one of the new breed of celebutante spokesmodel sunday indo darlings when she's alone at night, and stripped of all that mascara and make up, and fearing to glance at her naked reflection in her bathroom mirror, stories that are naked and rarely seen, rarely heard of, stories that are so easily eclipsed by the noise of the glory and the bling bling.

Thursday 21 February 2008

The joy of text

These are some of the text messages I keep, looking at them over and over when I'm deleting my daily texts (the Irish replacement for evening prayers) and so far they have all escaped the delete button and they’ve been around for quite a while.. What text messages do you keep? Post some in comments..


My first and only text sent by dad from his phone:

Wh bns

From Ross:
(oops)

Johs:

Hey, kom lige til at tænke på dig, og om du fik min sms? - nå, men min mund er fuld af huller, morten, sigurd er kommet i kaninparadis på lolland, og du skal snart til new york! Savner dig lidt her i den kolde sommer! Johs.

English translation:
Hey, I've just thought of you, and if you got my sms? Yeah well my mouth is full of holes, morten, sigurd has gone to rabbbit paradise in Lolland, and you will soon be in new york! Miss you a bit here in the cold summer! Johs.

One from mum:

I.m on firefox

And one from dad sent by mum on her phone:
Thanks there are 3 sharps all through well done dad

One from an artist I met in Barcelona, in the street, an hour after getting into town, making an arrangement to meet later that week..

Meet me in cafe of escola hipica, avda muntanyans sun. 12 pm. It is behind poble espanol, metro placa espana. I will be on horse. Anne X

One from Melis:

Love ya Lucy. You rock like a train. Mmmmtch

Aer Lingus, minutes before I was interviewed by the immigration lady for a full hour:

Please proceed to US Immigration 90 minutes prior to departure. This may prevent you from missing your flight. Thank you

Ross:
Yes!

From a poet I spent a lovely afternoon with, once:
How about a walk - could meet @ The Lame Duck @ 3.45. They do a good cup of tea there & nice river walk? Jo

Ross: Is it goodnight ladies? Last dance? The party’s over?

Ross: I don’t know can u convert cockroaches

And my favourite one by a long way is one my mum sent me when I was in Barcelona last year, verbatim.

Yes i topped ur cred. U wont believe cats were in u. P. Room. Window alex open’snor felix no iis own mrs. And lady missing when dogs went out to do bugsness mrs. Onsn’so. Window later lady trying to get back to kennel when they got in they couldnu a happier.

Sunday 17 February 2008

The Lobby

Right now, there's nobody here in the lobby. There was a big group of people when I came in a few minutes ago, they've all petered off now, all Irish except for a single brassy blonde Aussie woman, clearly being brought into the family by one of the sons, and when I came in she was holding court about Australian wildlife.

So I think she was probably talking about kangaroos, but anyway she was talking about how everybody has a license to shoot them, that they breed in droves and they're a pest in Australia, and the family was asking questions and went all quiet in the face of her vehemence. I mean, when you've grown up watching Skippy (a kid's programme about a bush kangaroo, made in the sixties and repeated on Irish tv until the nineties), then your next actual connection with Skippyland is a big bottle-blonde woman saying how happy she is to shoot Skippy, something in you probably goes all quiet, alright.

And then they asked about snakes, and she said they were everywhere, under the floorboards, in the wheels of the car, in the letterbox, in the loo.. and they went all quiet again. "Thank God for St. Patrick", says the dad, and laughs, alone. "I think the Aboriginal people eat them", says the brassy lady, and and the dad gives a loud cough, and the brassy lady goes off to the loo. Nobody said very much after that, but everyone slowly moved away, in twos and threes.